1
00:00:00,000 --> 00:00:01,000
I don't know who George is.

2
00:00:01,760 --> 00:00:02,800
I don't know who George is.

3
00:00:05,300 --> 00:00:08,920
I don't know who George is.

4
00:00:32,900 --> 00:00:37,460
दृष्यम् वन् चोईच पो। I said no.

5
00:00:38,420 --> 00:00:40,900
What a blunder. What a blunder.

6
00:00:41,580 --> 00:00:44,700
My son needs justice.

7
00:00:45,180 --> 00:00:46,180
Did my son want to be killed?

8
00:00:46,860 --> 00:00:47,860
Or did my mother want to know where he
was?

9
00:00:48,420 --> 00:00:49,500
Did she do anything wrong?

10
00:00:50,680 --> 00:00:53,100
This is something a mother can never
tolerate.

11
00:00:54,040 --> 00:00:56,160
When we see this, we feel like we've
done something wrong.

12
00:00:56,400 --> 00:01:00,560
But when we see it from the monitor, we
feel like we've done something wrong.

13
00:01:09,500 --> 00:01:10,220
... ... ...

14
00:01:10,220 --> 00:01:18,660
...

15
00:01:18,660 --> 00:01:20,000
... ... ...

16
00:01:34,940 --> 00:01:37,260
In my diary, everyone in India knows
about Dhrishyam.

17
00:01:38,060 --> 00:01:41,480
When Dhrishyam 3 comes, they quickly
remember that it is not the time of

18
00:01:41,480 --> 00:01:42,480
Mohanlal.

19
00:01:55,120 --> 00:01:58,060
13 years ago, a poster came down from
all over our cities.

20
00:01:59,620 --> 00:02:03,140
In the middle of the green grass, George
Kutty, the character, looked at the

21
00:02:03,140 --> 00:02:04,420
audience through that poster.

22
00:02:04,720 --> 00:02:06,880
At that time, all the audience who took
tickets to see George Kutty as a family

23
00:02:06,880 --> 00:02:07,880
man,

24
00:02:09,080 --> 00:02:10,160
came out of the theater with birds
flying.

25
00:02:11,820 --> 00:02:14,960
Not only in Malayalam cinema, but also
in Indian cinema, there is a view of

26
00:02:14,960 --> 00:02:16,220
history in the pictures we have changed.

27
00:02:18,040 --> 00:02:19,880
There are actors,

28
00:02:20,640 --> 00:02:24,710
there are actors, everyone has one...
One more time, a heartful greeting.

29
00:02:25,750 --> 00:02:27,930
One more time, a third time.

30
00:02:28,250 --> 00:02:32,350
We are coming again. Like we said
earlier, a third time for a fourth

31
00:02:33,370 --> 00:02:35,670
If we go to a small flashback,

32
00:02:36,510 --> 00:02:39,490
can you remember the moment when you
first met George Kutty?

33
00:02:45,050 --> 00:02:47,710
George Kutty has never met me.

34
00:02:48,910 --> 00:02:50,190
He is such a person.

35
00:02:51,610 --> 00:02:53,390
I came to know that there was a story
behind it,

36
00:02:55,410 --> 00:02:58,670
and Jithu told me about it.

37
00:02:59,370 --> 00:03:05,770
I understood that it could be a
different kind of

38
00:03:05,770 --> 00:03:06,770
film.

39
00:03:08,210 --> 00:03:12,390
But we cannot predict the success of a
film like this.

40
00:03:13,210 --> 00:03:15,710
It has become a franchise in India.

41
00:03:17,320 --> 00:03:18,500
It's his brilliance.

42
00:03:19,060 --> 00:03:21,460
His scripting and characterisation.

43
00:03:22,040 --> 00:03:24,960
It's always difficult to make a second
film after a film.

44
00:03:26,020 --> 00:03:28,800
It's difficult to accept that. It's
difficult to make a third one.

45
00:03:29,660 --> 00:03:30,980
It's difficult to make a fourth one.

46
00:03:31,440 --> 00:03:32,440
It's difficult to accept that.

47
00:03:32,660 --> 00:03:36,340
It's difficult to accept that.

48
00:03:43,180 --> 00:03:49,580
It's only after a few days that we know
how to protect the family or the family

49
00:03:49,580 --> 00:03:50,580
man.

50
00:03:51,580 --> 00:03:56,520
It's only after we read the script that
the

51
00:03:56,520 --> 00:03:59,960
character grows.

52
00:04:00,420 --> 00:04:04,660
Of course, we get a lot of suggestions.
on how he will be, how his mood will be.

53
00:04:05,700 --> 00:04:11,720
So even when we see his performance, we
can give a lot of inputs to the

54
00:04:11,720 --> 00:04:12,720
director.

55
00:04:13,230 --> 00:04:19,050
Allenkila idan anne mansilb. . . . . .
.

56
00:04:19,050 --> 00:04:36,448
.

57
00:04:36,440 --> 00:04:39,320
Geeta Bhagta Le, Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve Ve
they they

58
00:04:39,320 --> 00:04:47,664
they

59
00:04:47,660 --> 00:04:51,920
of faith for your faith

60
00:04:51,920 --> 00:04:55,740
for

61
00:04:55,740 --> 00:05:08,832
.

62
00:05:23,910 --> 00:05:26,710
jittu joseph

63
00:05:47,299 --> 00:05:49,660
You know what a franchise is?

64
00:05:51,800 --> 00:05:55,420
This is the biggest expectation when it
comes to audience expectations.

65
00:05:55,740 --> 00:06:00,380
Especially when doing a successful film
like Prequel or Sequel, people expect a

66
00:06:00,380 --> 00:06:01,380
lot.

67
00:06:02,320 --> 00:06:08,720
But for me, when I plan to do it for the
first time or for the second time,

68
00:06:08,920 --> 00:06:11,360
honestly it's like this.

69
00:06:11,840 --> 00:06:15,100
Vinnoti kin paranch varanch varanch varanch
Varancha Varancha Varancha Varancha Varancha Varancha

70
00:06:15,100 --> 00:06:21,460
Varancha Varancha Varancha Varancha Varancha Varancha
Varancha Varancha Varancha Varancha Varancha

71
00:06:21,460 --> 00:06:25,820
Varanche Varanche

72
00:06:25,820 --> 00:06:28,480
Varanche

73
00:06:28,480 --> 00:06:40,820
Varanche

74
00:06:40,820 --> 00:06:41,820
The bridegroom

75
00:06:48,390 --> 00:06:53,150
It's a good movie. Let's try it. It's a

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00:06:53,150 --> 00:06:59,510
good

77
00:06:59,510 --> 00:07:00,510
movie.

78
00:07:09,450 --> 00:07:12,290
Idyo Theirtrikkar Anne Virumaine
Vox Office Anne Virumaine Virumaine

79
00:07:12,290 --> 00:07:18,190
Virumaine Virumaine Virumaine Virumaine
Virumaine

80
00:07:18,190 --> 00:07:38,608
Virumaine

81
00:07:38,600 --> 00:07:42,860
Apan Ivirode Nyan Climax Parnyu,
Allekil I Area Parnyu, Varu Parnyu,

82
00:07:42,860 --> 00:07:46,880
Sarshyatum atha work pite dikha mityu
Nya Nalladan, Annotte Itikan Allo,

83
00:07:46,940 --> 00:07:50,800
Climax saw Nya Nalladan drinking work
Mitya

84
00:08:00,920 --> 00:08:04,100
If there is a second part, the most
important reason for that is that Mr.

85
00:08:04,160 --> 00:08:05,360
Anandichettan has said that.

86
00:08:06,220 --> 00:08:09,800
Jithu sir is saying that. Now when it
comes to the third part, how big a part

87
00:08:09,800 --> 00:08:10,800
does Mr. Anandichettan have?

88
00:08:10,840 --> 00:08:12,420
When we are speaking as Jithu,

89
00:08:13,560 --> 00:08:17,760
I don't have the mental capacity to
speak with an architect. Even in the

90
00:08:17,760 --> 00:08:23,820
discussion. That is, when I come to
speak to Mr. Lal, it is with me.

91
00:08:24,620 --> 00:08:27,260
When I heard the story, I said that I
would like to talk to Lalitha.

92
00:08:28,880 --> 00:08:31,860
I am a person who listens to stories for
Mohanlal.

93
00:08:33,059 --> 00:08:35,580
I always understood that.

94
00:08:36,000 --> 00:08:41,659
I love movies. When I heard the story of
Jithu, I

95
00:08:41,659 --> 00:08:47,360
felt that I could talk to Mohanlal in my
own way.

96
00:08:50,240 --> 00:08:53,560
After that, naturally, I thought that
there should be a second part.

97
00:08:55,800 --> 00:08:59,580
Ade virupadu prascham yani tanne kada
but the greater Nornu. Secnt Patune.

98
00:08:59,580 --> 00:09:04,660
Ittunne Kaile Illenkil. That is, when the paranach
Vadkave Noran. Ittune Kaile Illenkil.

99
00:09:04,660 --> 00:09:07,920
That is, sometimes the parameters are increased

100
00:09:07,920 --> 00:09:21,024
Noran.

101
00:09:21,020 --> 00:09:22,440
I want to do a lot of things.

102
00:09:24,240 --> 00:09:29,680
The reason for that is that Mohanlal sir
has acted in about 10 -40 of our films.

103
00:09:32,800 --> 00:09:35,760
So this film has a special feature.
Meena sir has acted in our film.

104
00:09:37,820 --> 00:09:41,200
Meena sir has acted as the heroine of
most of the films of Aashirwad.

105
00:09:43,700 --> 00:09:44,700
That's true.

106
00:09:48,490 --> 00:09:51,690
We have a special set.

107
00:09:52,290 --> 00:09:53,350
It's not like any other movie.

108
00:09:55,070 --> 00:09:58,790
I have done more movies with Jithu.

109
00:10:00,990 --> 00:10:07,710
I don't have a job with Jithu. I am very much
happy to go to that set and

110
00:10:07,710 --> 00:10:08,710
enjoy.

111
00:10:09,290 --> 00:10:13,230
After the first discussion, I said that
I don't have a job with Jithu.

112
00:10:13,730 --> 00:10:14,730
I don't have a job.

113
00:10:14,910 --> 00:10:15,910
I'm done.

114
00:10:16,190 --> 00:10:20,510
Vero uri cause willel, their willel free it
It villel, appa adu uri causal, appa

115
00:10:20,510 --> 00:10:25,690
Moondaam Bhagavan Vindaam Vindaam Vindaam
Vindam Vindam

116
00:10:25,690 --> 00:10:40,170
Vindam

117
00:10:39,960 --> 00:10:44,000
I will try my best for that. Before
coming to Meenakkamalai, I would like to

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00:10:44,000 --> 00:10:47,800
you a question. How did you come to me
and tell me about the second part?

119
00:10:48,400 --> 00:10:53,400
Or how did you find a way or a trick to
carry out the projects that you like?

120
00:10:53,400 --> 00:10:54,900
How did you find a

121
00:10:54,900 --> 00:11:08,340
way

122
00:11:08,340 --> 00:11:09,880
or a trick to carry out the projects
that you like?

123
00:11:33,680 --> 00:11:37,960
आशिर्वाद ने इत्युं कुड़ितिले सिन्माकेले
नाईका राणी

124
00:12:01,890 --> 00:12:05,690
Ashirwad is always very close to my
heart and it's like family, it's like

125
00:12:07,760 --> 00:12:09,740
Every time you come here, it's like a
reunion.

126
00:12:09,980 --> 00:12:11,860
You know, it's like meeting all your
friends.

127
00:12:12,360 --> 00:12:14,960
And it's always very pleasant and very
beautiful.

128
00:12:15,280 --> 00:12:17,200
So, what to say?

129
00:12:17,460 --> 00:12:18,940
So, there is a lot to see.

130
00:12:38,970 --> 00:12:45,770
I'm very fortunate because, in fact,
when I first asked about Dhrishyam

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00:12:45,770 --> 00:12:46,770
1,

132
00:12:47,950 --> 00:12:48,970
I said no.

133
00:12:49,990 --> 00:12:52,790
What a blunder there was.

134
00:12:54,750 --> 00:13:00,050
Because my daughter was two years old at
that time. She was too young. I thought

135
00:13:00,050 --> 00:13:01,050
I could not leave her.

136
00:13:01,650 --> 00:13:05,150
She is a good script and a good
character.

137
00:13:05,430 --> 00:13:06,490
But my daughter was there.

138
00:13:06,750 --> 00:13:07,750
I said I could not leave her.

139
00:13:08,530 --> 00:13:11,190
I said I could not leave her.

140
00:13:12,440 --> 00:13:13,780
But then, thank you, Anthony.

141
00:13:14,860 --> 00:13:18,100
When I approached you, you said Mamooka.

142
00:13:18,720 --> 00:13:19,720
Yeah,

143
00:13:20,980 --> 00:13:24,320
Mamooka. You were working together in a
film. Yeah, he's a good character.

144
00:13:24,560 --> 00:13:26,280
I think you'll suit the character very
well.

145
00:13:27,180 --> 00:13:29,540
Jeethu came and told me the story.

146
00:13:30,640 --> 00:13:33,520
But everything was nice, but I was not
very sure.

147
00:13:34,320 --> 00:13:40,720
I was on my own and I used to give my

148
00:13:40,720 --> 00:13:45,640
200%. But now I have a daughter, can I
leave her and come back? Can I

149
00:13:45,640 --> 00:13:46,980
concentrate 100 %?

150
00:13:49,220 --> 00:13:50,220
Can I focus?

151
00:13:50,280 --> 00:13:52,820
There were many such confusions.

152
00:13:53,560 --> 00:13:58,940
So I was not very sure. So he told me
that I don't think I can do it because I

153
00:13:58,940 --> 00:14:00,300
have a daughter and can't leave her and
come back.

154
00:14:00,740 --> 00:14:02,400
But then he came back.

155
00:14:03,210 --> 00:14:06,550
I will do whatever you want. I will do
whatever you want. I will do whatever

156
00:14:06,550 --> 00:14:07,550
want. I will do whatever you want.

157
00:14:08,310 --> 00:14:10,090
I will

158
00:14:10,090 --> 00:14:15,890
do whatever

159
00:14:15,890 --> 00:14:20,210
you want.

160
00:14:32,700 --> 00:14:37,240
Thanks to Almighty for giving me that
opportunity again.

161
00:14:38,500 --> 00:14:43,020
Because even personally I was like
already married, I was having a kid.

162
00:14:46,100 --> 00:14:47,860
It's a very very rare thing.

163
00:14:48,920 --> 00:14:52,140
Thank you Lalitha. Thank you Anthony.

164
00:14:52,680 --> 00:14:54,080
That's all I can say.

165
00:14:59,600 --> 00:15:00,600
I am here for that movie.

166
00:15:01,420 --> 00:15:02,600
My characters are not gone.

167
00:15:03,000 --> 00:15:04,120
They are all there.

168
00:15:04,600 --> 00:15:07,120
But some people are missing me.

169
00:15:08,040 --> 00:15:10,160
Some people are not happy with my old
characters.

170
00:15:12,440 --> 00:15:14,200
Some people have left me.

171
00:15:14,500 --> 00:15:15,980
I am very sad.

172
00:15:16,280 --> 00:15:18,980
As you said, George Kutty's family is in
everyone's mind.

173
00:15:20,840 --> 00:15:24,160
George Kutty's family is in everyone's
mind.

174
00:15:26,730 --> 00:15:32,710
Moving Committee Vaishyamikyunno Kudnikyunno n
Arillattu vidamam cheditulla geedam

175
00:15:32,710 --> 00:15:36,070
Prabhagar na vidamam cheditulla geedam
Prabhagar na vidamam cheditulla geedam

176
00:15:36,070 --> 00:15:39,056
charger

177
00:15:53,570 --> 00:15:56,850
What is the plan of Geetha Prabhakar?

178
00:15:59,450 --> 00:16:03,430
Nalan Glaser na Buddhiya lo Jorgie Uting
lo brilliant good lor all come

179
00:16:03,430 --> 00:16:07,470
जीवरतिने एल्लाम नोकी कंद अधनसिरिचे
Sinimalka Kand Plan Jide Pon Lo Ek

180
00:16:07,470 --> 00:16:14,430
If the story comes then the brilliants idyll will come.
Kanikane region

181
00:16:23,120 --> 00:16:29,620
I can only wait for the

182
00:16:29,620 --> 00:16:34,620
21st. It will be an unexpected change.

183
00:16:36,080 --> 00:16:40,620
This is the most difficult thing to do
when promoting a thriller film. We can

184
00:16:40,620 --> 00:16:43,020
never say that all this is inside us.

185
00:16:43,760 --> 00:16:46,220
If I say something, you will kill me,
right? I will not talk to you.

186
00:16:47,580 --> 00:16:49,840
Now, a new face that has not been seen
so far.

187
00:16:50,960 --> 00:16:51,960
What is here?

188
00:16:52,120 --> 00:16:53,420
I am a new addition.

189
00:16:53,980 --> 00:16:54,980
It is my great luck that Mr.

190
00:16:55,600 --> 00:16:58,280
Deethu sir and Annie sir thought of
taking the third part.

191
00:17:00,640 --> 00:17:03,500
Otherwise, I would not have been able to
join the universe.

192
00:17:15,429 --> 00:17:19,069
How excited were

193
00:17:19,069 --> 00:17:33,090
you

194
00:17:33,090 --> 00:17:34,410
when you heard the news?

195
00:17:34,670 --> 00:17:35,670
I was actually very excited.

196
00:17:36,050 --> 00:17:40,150
When Jithu sir called me, I was thinking
about how to cut the call.

197
00:17:41,070 --> 00:17:44,010
It was really my first film as Lala
Eettan.

198
00:17:46,270 --> 00:17:48,390
I was very happy to be able to do my
first film as Lala Eettan in a franchise

199
00:17:48,390 --> 00:17:51,650
a super hit film called Dhrishyam.

200
00:17:54,770 --> 00:18:00,450
When I heard the character, I thought it
was interesting.

201
00:18:04,250 --> 00:18:06,590
We have always heard that Mohanlal is a
wonderful singer.

202
00:18:08,650 --> 00:18:12,550
We have seen and experienced that
miracle. How was it when you performed

203
00:18:12,550 --> 00:18:13,550
Lalettan?

204
00:18:14,730 --> 00:18:16,670
Who am I to say?

205
00:18:17,570 --> 00:18:21,330
Everyone knows Lalettan is Lalettan's
charm, Lalettan's legend.

206
00:18:22,810 --> 00:18:25,630
What I felt when I performed with
Lalettan,

207
00:18:27,490 --> 00:18:31,530
I felt that I could not do anything to
Lalettan. But when I saw it on the

208
00:18:31,530 --> 00:18:32,530
monitor,

209
00:18:46,480 --> 00:18:53,000
I was like this when I took the

210
00:18:53,000 --> 00:18:54,120
varna packet.

211
00:18:54,460 --> 00:18:55,520
That's how I felt.

212
00:18:59,580 --> 00:19:05,440
The impact he gives to the audience
through that scene or that performance

213
00:19:05,440 --> 00:19:08,160
amazing. Only he can do that.

214
00:19:22,290 --> 00:19:29,130
अन्ना monitor वन्नु इल्ला, monitor

215
00:19:29,130 --> 00:19:30,350
किप्पर वन्ना ले.

216
00:19:42,670 --> 00:19:49,350
आदु वन्नोलु । । । । । । । । । । । । । ।
। । । । । । । । । । । । । । । । । । । ।

217
00:19:49,350 --> 00:19:56,240
। । । । । । । । । । । । । । । । । । । ।
। । । । । । । । । । । । । । । � I asked

218
00:19:56,240 --> 00:19:57,920
him, do you have any interest in this
project?

219
00:19:58,940 --> 00:20:01,660
He said, no, I am not interested in this
project.

220
00:20:02,360 --> 00:20:06,400
I asked him, do you have any interest in
this project? He said, no, I am not

221
00:20:06,400 --> 00:20:07,400
interested in this project.

222
00:20:24,169 --> 00:20:28,730
वालरच्यों न लो, अपपा, of course, नमबले
scene Kodkumene previous N N N N K

223
00:20:28,730 --> 00:20:35,030
Anyushikyon, full mansil and character ne
Walarchyon Caringlon Ella Mansil

224
00:20:35,030 --> 00:20:40,870
Ondavanon, pushe adhuval plan cheyan na ral
Anyane na ke, ito na donante liye, karne

225
00:20:40,870 --> 00:20:47,090
shooting not awada forest

226
00:20:50,500 --> 00:20:52,300
I don't know what

227
00:20:52,300 --> 00:20:59,220
to

228
00:20:59,220 --> 00:21:02,420
say.

229
00:21:17,520 --> 00:21:19,820
... ... ... ...

230
00:21:19,820 --> 00:21:26,440
... ... ... ...

231
00:21:39,500 --> 00:21:45,020
Apa abttaman lo ye kanikene ne parnitt
Lo idana subject to mottam subject to mottam

232
00:21:45,020 --> 00:21:51,440
The topic is the best topic I think it was a
goose bumps reaction.

233
00:21:52,760 --> 00:21:55,720
Everyone's most surprising thing is
this, Lennart.

234
00:21:55,940 --> 00:21:57,240
It's a thing that no one can decode.

235
00:21:58,000 --> 00:22:02,200
How does a person who has been joking
for seconds remember all these

236
00:22:03,300 --> 00:22:05,640
all these activities on that screen?

237
00:22:06,300 --> 00:22:10,720
Is there a decoding process for this?
When you said that, I also thought about

238
00:22:10,720 --> 00:22:11,720
it.

239
00:22:12,220 --> 00:22:13,820
I can't tell you about that.

240
00:22:14,040 --> 00:22:15,040
It's not about decoding.

241
00:22:15,440 --> 00:22:21,200
I believe that when we are connected to
a movie for one or two days, that

242
00:22:21,200 --> 00:22:22,980
character comes in search of us.

243
00:22:23,880 --> 00:22:28,760
I pray to God for that and act in a
movie.

244
00:22:29,320 --> 00:22:34,120
I told you earlier that I didn't
understand George Kutty.

245
00:22:34,640 --> 00:22:39,780
George Kutty's opposite reaction is in
all movies. I can't tell you the truth.

246
00:22:41,300 --> 00:22:46,280
Ive Ive Family of Anna Georgie Kutty
Unno ariyadiken acca nokande viruvodu

247
00:22:46,280 --> 00:22:51,080
Karingal ile apavam virikelam viruvodu
Viruvodu Viruvodu Viruvodu Viruvodu

248
00:22:51,080 --> 00:22:54,180
Viruvodu

249
00:22:54,180 --> 00:23:06,980
Viruvodu

250
00:23:06,980 --> 00:23:13,530
Vir Jorji Kutti for the world situation
for the world situation

251
00:23:13,530 --> 00:23:32,470
The world situation

252
00:23:32,200 --> 00:23:34,300
It was time to make a revelation.

253
00:23:34,740 --> 00:23:38,400
Everyone knows the origin and origin of
the actor Mohanlal.

254
00:23:38,960 --> 00:23:41,900
That's when the dialogue we hear in the
teaser is, I'm scared.

255
00:23:42,840 --> 00:23:43,840
That's not true.

256
00:23:45,419 --> 00:23:46,960
Pattan Muhanlalnn Nolla La La La La La La
La la la la la la

257
00:23:46,960 --> 00:24:04,680
La

258
00:24:04,620 --> 00:24:08,860
Viru manishya le, itra kalam adhine
Pidichyu narkaan pettum naukanam. Pinny

259
00:24:08,860 --> 00:24:14,340
Oro is 13 years old and Gaimbate is 13 years old
Jorjukutti and Family Waranne Rikkinu,

260
00:24:14,340 --> 00:24:18,580
Walrnu. App kuttikal avre chalp vir

261
00:24:34,250 --> 00:24:35,510
But he still says he's afraid.

262
00:24:36,350 --> 00:24:40,350
So he says it. But he can't say it all.
So he doesn't say it.

263
00:24:40,750 --> 00:24:42,650
He is afraid from the beginning itself.

264
00:24:42,990 --> 00:24:44,150
He's a person who can't be caught at
any time.

265
00:24:44,530 --> 00:24:47,590
He said that if their expression changes,
he can catch George Kutty.

266
00:24:48,210 --> 00:24:49,750
So George Kutty is not very happy.

267
00:24:50,990 --> 00:24:52,650
He is in a terrible turmoil.

268
00:24:55,669 --> 00:25:00,730
.. .. .. .. .. ..

269
00:25:15,150 --> 00:25:16,750
But he has a lot of dreams.

270
00:25:17,190 --> 00:25:20,690
He wants to make a film or a theatre.
But it has a purpose.

271
00:25:21,090 --> 00:25:23,290
It is not just to make a lot of money.

272
00:25:24,090 --> 00:25:29,790
He is an intelligent person. He is an
unbelievable

273
00:25:29,790 --> 00:25:36,070
character. If you ask me who George
Kutty is, I will say I don't know.

274
00:25:36,450 --> 00:25:38,310
I am also trying to understand who he
is.

275
00:25:40,670 --> 00:25:43,430
You don't get such a character from an
actor.

276
00:25:44,520 --> 00:25:47,900
I don't know who it is, but it's the
opposite.

277
00:25:48,500 --> 00:25:52,580
It's said that good things come in
search of good people. In fact, it's one

278
00:25:52,580 --> 00:25:53,960
the best characters to come in search of
good people.

279
00:26:00,440 --> 00:26:05,340
This is it. When a situation comes, when
a situation comes, when a situation comes

280
00:26:05,340 --> 00:26:08,000
comes, when a situation comes, when a
situation comes, when a

281
00:26:08,000 --> 00:26:13,980
situation comes,

282
00:26:28,720 --> 00:26:34,740
Pulli's Chirichchu, Pulli's Kitty,
These are their own Chirichchu. your own

283
00:26:34,740 --> 00:26:41,280
Chirichchu, Pulli's Chirichchu, Pulli's
Chirichchu, Pulli's

284
00:26:41,280 --> 00:26:44,220
Chirichchu, Pulli's

285
00:26:44,220 --> 00:26:57,700
Chirichchu,

286
00:26:57,290 --> 00:26:58,430
Adana. Adia.

287
00:27:07,360 --> 00:27:11,120
Palaridil Nammal Usyunnu

288
00:27:11,120 --> 00:27:28,280
Innu

289
00:27:28,280 --> 00:27:30,010
Mataru. How happy are you now?

290
00:27:30,750 --> 00:27:35,450
But what you are thinking now is that
the movie is about to start. It's coming

291
00:27:35,450 --> 00:27:36,910
in the bus. If not, what's the story?

292
00:27:39,850 --> 00:27:42,070
The movie is about to start, isn't it?

293
00:27:42,490 --> 00:27:44,170
The movie is about to start, isn't it?
The movie is about to start, isn't it?

294
00:27:44,190 --> 00:27:45,190
Why don't you ask if it's in this movie?

295
00:27:45,470 --> 00:27:46,470
No, I'm coming.

296
00:27:47,150 --> 00:27:48,150
Tell me this.

297
00:27:48,290 --> 00:27:49,350
Which is the biggest business?

298
00:27:52,410 --> 00:27:53,410
Isn't it?

299
00:27:54,430 --> 00:27:55,430
Isn't it?

300
00:27:56,050 --> 00:27:57,050
Tell me.

301
00:27:57,820 --> 00:28:01,460
I would like to see the most successful
films made in Malayalam by Ashirwad

302
00:28:01,460 --> 00:28:02,460
Mohanlal Sir.

303
00:28:03,440 --> 00:28:09,040
I would like to see the most successful
films made in Malayalam by

304
00:28:09,040 --> 00:28:11,700
Ashirwad Mohanlal Sir.

305
00:28:12,840 --> 00:28:17,320
Itton Willie victory bless cinemas and
Mohan Lal Sarn's Combinationalde Malayale

306
00:28:17,320 --> 00:28:23,320
Kundagal. . . . . . . .

307
00:28:23,320 --> 00:28:36,080
.

308
00:28:36,080 --> 00:28:39,420
Appa and travel Nureyan Niki Mun Kalankul
Ruwadi Sinmagul some nyan strimecchit

309
00:28:39,420 --> 00:28:43,660
Nudu, avasaramayit vanna yampuranu nurechcha
Sinmechcha Nyan Anya Anya Anya

310
00:28:43,660 --> 00:28:49,620
Others others others others
Anyan An

311
00:29:07,560 --> 00:29:14,560
I believe that what Malayalees are most
interested in is the idea of

312
00:29:14,560 --> 00:29:16,200
-200 crore clubs.

313
00:29:18,560 --> 00:29:24,440
Apapa and Sankalpatine ettun mail nikkunna
Ori kariyam undagannu undai anna

314
00:29:24,440 --> 00:29:28,400
Ariyinnadum adine vi bhagatta nyan aanu
Nilkunnunnunnunnunnunne sampandichu

315
00:29:28,400 --> 00:29:33,700
V V V V V V V V V V V

316
00:29:33,700 --> 00:29:41,660
V

317
00:29:41,660 --> 00:29:44,240
and

318
00:29:45,470 --> 00:29:48,410
That's what I love the most. Laletta, do
you know this?

319
00:29:48,830 --> 00:29:49,930
Or are you just acting it out?

320
00:29:50,610 --> 00:29:51,750
Most of the time I know it.

321
00:29:53,130 --> 00:29:55,530
This is a great association.

322
00:29:56,310 --> 00:30:00,170
We have also shot Kalapani before. That
was a gate crash.

323
00:30:00,590 --> 00:30:02,590
It was a film that was shot before the
Pan -Indian film came out.

324
00:30:02,970 --> 00:30:04,630
It had a concept called Pan -Indian.

325
00:30:05,150 --> 00:30:06,850
I wrote a film called Vanaprastha.

326
00:30:07,530 --> 00:30:08,530
It was my first co -production.

327
00:30:08,930 --> 00:30:11,270
Until then there was no co -production
in India. I went to France.

328
00:30:22,300 --> 00:30:23,960
We tried.

329
00:30:24,320 --> 00:30:29,500
But we still talk about Kalapati,
Vanaprasya,

330
00:30:30,300 --> 00:30:33,080
Dhrishya and Lucifer.

331
00:30:40,270 --> 00:30:46,870
पनोरमा ने विश्वास ने विश्वास ने

332
00:30:46,870 --> 00:30:48,490
विश्वास

333
00:30:50,110 --> 00:30:51,210
We can do a lot of movies.

334
00:30:51,730 --> 00:30:53,490
Not just us. This is like a gatecrash.

335
00:30:53,770 --> 00:30:55,310
I have given a very good positioning to
Malayalam cinema.

336
00:31:00,290 --> 00:31:01,290
People like Panorama,

337
00:31:02,750 --> 00:31:04,930
their groups, Penn Studio.

338
00:31:05,330 --> 00:31:08,030
A lot of great combinations are coming.

339
00:31:08,540 --> 00:31:11,300
अधर अन्युद्धि परन्यों ले ये सिनिमा ले
People sambhavikyundo varainn willi

340
00:31:11,300 --> 00:31:14,860
Kayaryundnya. Panarma Studios
Nammalmaityu Innatta Assoc

341
00:31:14,860 --> 00:31:17,360
Mohallastar jittu Avare Avare Avare Avare
Avre

342
00:31:17,360 --> 00:31:27,520
Av

343
00:31:27,160 --> 00:31:33,900
Nammala grain will break Dilnnum people
Kalonko Maritundu. . . . . . .

344
00:31:33,900 --> 00:31:35,260
. .

345
00:31:35,260 --> 00:31:53,296
.

346
00:31:53,290 --> 00:31:58,970
Now Avada Varumpa and Director, . . . . .
. . . .

347
00:31:58,970 --> 00:32:00,890
.

348
00:32:00,890 --> 00:32:20,608
.

349
00:32:20,600 --> 00:32:26,120
Rashikar ne lim viz mol fur viru karshkan
Ayrthu. Upp ye vote their Lim Wit Lim Yan

350
00:32:26,120 --> 00:32:30,460
Arakundu. Nandu car kadkamp pulle bis nu
Wob thottu varai astalteke yan work east.

351
00:32:30,460 --> 00:32:33,000
Annitta Asanam Annitta Varime and Yan

352
00:32:33,000 --> 00:32:43,792
i

353
00:32:45,930 --> 00:32:52,410
I told him that I would like to have a
TV

354
00:32:52,410 --> 00:32:53,530
in my house.

355
00:32:53,870 --> 00:32:54,870
He said yes.

356
00:32:59,480 --> 00:33:01,560
I was a little lazy when I had to change
everything there.

357
00:33:02,480 --> 00:33:07,220
So I said, should I change the car? Then
we talked and talked about the car and

358
00:33:07,220 --> 00:33:08,220
made small upgrades.

359
00:33:09,100 --> 00:33:10,100
You worked in a room.

360
00:33:10,600 --> 00:33:17,360
Then in a particular situation, when
they needed something, I said, okay, I

361
00:33:17,360 --> 00:33:20,700
to do it. I connected with the shop for
a while and did it.

362
00:33:21,380 --> 00:33:22,380
I understood when I saw the movie.

363
00:33:22,740 --> 00:33:25,600
So when it's not there, I have a feeling
that it's not right.

364
00:33:33,520 --> 00:33:36,580
I bought it.

365
00:33:37,500 --> 00:33:40,440
They didn't buy it, but I bought it.

366
00:33:50,140 --> 00:33:52,220
He has some dreams and aspirations.

367
00:33:52,600 --> 00:33:58,260
He comes out very carefully to those
aspirations. When I say that he is going

368
00:33:58,260 --> 00:34:01,120
catch a movie, he says that he is going
to study a lot.

369
00:34:01,320 --> 00:34:06,460
He has not done anything by studying the
possibilities of this. He is a person

370
00:34:06,460 --> 00:34:08,920
who has planned his life very carefully.

371
00:34:09,719 --> 00:34:16,440
That is a good thing. He says that he
dreams of Geetha Prabhakaran

372
00:34:16,440 --> 00:34:17,440
every night.

373
00:34:21,020 --> 00:34:26,400
One thing I can say is that we were not
like one, two.

374
00:34:26,699 --> 00:34:28,540
One and two are not like three.

375
00:34:28,920 --> 00:34:32,639
Because in one and two, a crisis has not
been completely over.

376
00:34:32,940 --> 00:34:35,420
When it stands like that, Georgia will
stand very strongly.

377
00:34:48,820 --> 00:34:55,500
I don't know how many people there are.

378
00:35:18,319 --> 00:35:22,320
It's more of an emotional thing. It's
more of an emotional thing. It's more of

379
00:35:22,320 --> 00:35:23,660
an emotional thing. It's more of an
emotional thing.

380
00:35:24,700 --> 00:35:26,560
It's more of an emotional thing.

381
00:35:27,040 --> 00:35:32,180
It's more of an emotional thing.

382
00:35:33,340 --> 00:35:37,700
वन्नम् टू वके न्या फैमिली ड्रामा
अन्नक्के इल्लार्यो अधिने अदिर्थु। शरीके

383
00:35:37,700 --> 00:35:44,140
विदिनात्ते रन्ड अम्ममार अवरे इमोशन,
अच्छनमार रन्ड फैमिली अवरे ट्रोमा, मूतमार

384
00:35:44,140 --> 00:35:46,940
अन्ना प्रशनम्, अधिने शक्कन इदिलेत्तुम्पो
अवरे

385
00:35:46,940 --> 00:35:57,360
काउंस

386
00:35:57,360 --> 00:35:58,360
But that's okay.

387
00:35:58,400 --> 00:35:59,940
That's all I tried to say.

388
00:36:00,580 --> 00:36:05,800
Three is an emotional approach to us.
And it's mostly concentrated on George

389
00:36:05,800 --> 00:36:06,800
Kutty.

390
00:36:07,120 --> 00:36:08,700
It's the story of two mothers and two
fathers.

391
00:36:09,340 --> 00:36:13,180
One of the mothers is the mother who
makes her son cry the most. She is the

392
00:36:13,180 --> 00:36:14,180
mother on our right side.

393
00:36:14,940 --> 00:36:19,620
She is the mother who makes her son cry
the most. She is the mother on our right

394
00:36:19,620 --> 00:36:25,200
side. She is the mother on our right
side.

395
00:36:31,330 --> 00:36:36,510
IT direction in the audience is 100 %
Georgie Kutty is likened to a queen.

396
00:37:08,470 --> 00:37:14,390
Innam Justis Gittada Kadakan. Laletan
You spoke about Damashya, the Gita charge

397
00:37:14,390 --> 00:37:15,670
Pedic dreams

398
00:37:15,670 --> 00:37:23,088
counting.

399
00:37:23,080 --> 00:37:28,540
Pulis and Rinnu, and Sistardhind Pavad, Ad
Allah felivar aa ye poine ne viru sangad

400
00:37:28,540 --> 00:37:30,000
Viru Shim Ann Pareyanan Tumbu.

401
00:37:33,360 --> 00:37:36,620
It's a shame.

402
00:37:37,340 --> 00:37:38,660
It was also a police station.

403
00:38:03,070 --> 00:38:07,810
Brittide gifte naul didiel sandoshy
Naula, Cinema Walre Saxesphulai

404
00:38:07,910 --> 00:38:11,370
Apana lo sandoshy naula, brittide gifte
Viller Annekili Manjhi.

405
00:38:13,090 --> 00:38:18,350
Ade, so Mohallal Kutikun of Nammal Parashair
Parnal Samman,

406
00:38:18,510 --> 00:38:31,310
Here

407
00:38:31,930 --> 00:38:36,150
I was in India or in the US.

408
00:38:36,730 --> 00:38:39,650
I was asking how many people were coming
to see me.

409
00:38:40,350 --> 00:38:43,610
I was asking how many people were coming
to see me.

410
00:38:47,799 --> 00:38:50,400
... ... ...

411
00:38:50,400 --> 00:39:02,260
...

412
00:39:02,260 --> 00:39:03,260
... ... ...

413
00:39:15,070 --> 00:39:18,190
Visionary Anna Verindana Verindana
Verindana Verindana

414
00:39:18,190 --> 00:39:43,504
Verindana

415
00:39:43,500 --> 00:39:47,980
Adi chelpo inki dodhanu iti chelpo aage viru
Lando munno pradashim quantity ikim inki

416
00:39:47,980 --> 00:39:52,660
vannitnu davulu i brittude. Appo Adil
Viru divasam i divasam mai mari annu

417
00:39:52,660 --> 00:39:54,740
Vareyannu davulu viru bhagyatnu annu

418
00:40:07,160 --> 00:40:09,440
I would like to say that Antony is an
honor from the film industry.

419
00:40:36,410 --> 00:40:41,570
Their low red senimbule grains
Samaytte, nammane aashirwaderne senimbule

420
00:40:41,570 --> 00:40:44,210
Kanan samayatte, nammane lalettanne senimbule
Kanan samayatte, nammane lalettanne

421
00:40:44,210 --> 00:40:50,830
Senimbule kananan samayatte, nammane lalettanne

422
00:40:50,830 --> 00:40:57,280
Senimbule particle timeatt

423
00:41:08,380 --> 00:41:09,680
This is not a thriller.

424
00:41:09,960 --> 00:41:15,860
This is a family drama. This is a family
drama.

425
00:41:35,250 --> 00:41:38,690
Their hopes are kitty giving

426
00:41:46,129 --> 00:41:52,110
Anne adinatte annod aa sambhov marne po aa
Vikti Parne Vikti Dialogue Annod Rand

427
00:41:52,110 --> 00:41:58,650
Family de bhavattam shari und tittu und
Parod Nikkund Annod Annod

428
00:41:58,650 --> 00:42:05,590
Family Arya Anne Adinatte Annod Aa
the possibility of dying

429
00:42:23,580 --> 00:42:24,980
Different...

430
00:42:41,939 --> 00:42:45,540
I don't know. I

431
00:42:45,540 --> 00:42:53,980
don't

432
00:42:53,980 --> 00:42:54,980
know.

433
00:42:58,260 --> 00:43:02,840
I don't know.

434
00:43:04,020 --> 00:43:05,020
It's an effort to find out.

435
00:43:05,600 --> 00:43:07,660
That's why it's true in both ways.

436
00:43:08,120 --> 00:43:10,560
Then an accident happened.

437
00:43:10,940 --> 00:43:14,060
It's not possible to blame the girl.
That boy died as part of a suicide.

438
00:43:15,160 --> 00:43:17,700
They can't go to the police because of his
mother died.

439
00:43:18,000 --> 00:43:19,280
There is no reason to blame the justice.

440
00:43:20,560 --> 00:43:27,080
Appi Vir Adhinya Rashyavidan Vir Swargal
Come. . ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥

441
00:43:27,080 --> 00:43:31,660
॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥ ॥
॥ ॥ ॥ ॥ ॥ ॥ ॥

442
00:43:31,660 --> 00:43:35,900
॥ ॥ ॥ ॥ ॥ ॥

443
00:43:35,900 --> 00:43:41,700
॥ ॥ ॥

444
00:43:41,700 --> 00:43:47,600
॥ ॥ ॥

445
00:43:57,770 --> 00:44:00,210
Paper YK coming, Arya?

446
00:44:03,050 --> 00:44:05,930
Veena is sathiyam paranyayale, parayam
pattu, parayam pattu come?

447
00:44:06,170 --> 00:44:07,170
Is there a parayam pattu?

448
00:44:07,890 --> 00:44:10,830
Is there confusion? Is there a parayam pattu?
Is there any confusion with your kit? Kitty.

449
00:44:12,430 --> 00:44:14,710
Unnum parayam pattu atha randu sidele
irtte as.

450
00:44:16,290 --> 00:44:17,850
Nandu parayam pattu atha randu sidele

451
00:44:17,850 --> 00:44:25,970
irtte

452
00:44:25,970 --> 00:44:29,890
as.

453
00:44:30,860 --> 00:44:35,500
Pradishich Pole took the obstinacy stage
Nammal adine elevetyedu uri sambhua arnu.

454
00:44:35,500 --> 00:44:40,440
Prayakshikara Kritimayittu Jittu Joseph
Palpozan Kabhulipikinn to Dirind. The first

455
00:44:40,440 --> 00:44:43,320
इन्ड ट्रैयलर वरिंबुल आनिकिलूम। नम्

456
00:44:59,930 --> 00:45:02,050
They don't know anything else. This is
the climax.

457
00:45:02,350 --> 00:45:03,350
Can you say that?

458
00:45:05,610 --> 00:45:06,610
I said it at the end.

459
00:45:07,170 --> 00:45:08,170
I was with Jithu.

460
00:45:08,270 --> 00:45:10,010
I said it. I said it.

461
00:45:10,670 --> 00:45:12,590
I said it. I said it. I said it. I said
it.

462
00:45:13,530 --> 00:45:14,530
I said it.

463
00:45:25,280 --> 00:45:28,200
Actually, this story was told by my
mother.

464
00:45:28,980 --> 00:45:33,340
My mother listened to it and gave it to
me.

465
00:45:33,780 --> 00:45:35,180
What did you say about the climax?

466
00:45:35,900 --> 00:45:36,900
What did you say?

467
00:45:37,180 --> 00:45:43,400
I think all these people are talking
about George Kutty.

468
00:45:44,100 --> 00:45:46,320
It is a secret that cannot be told.

469
00:45:46,580 --> 00:45:50,080
Many people are talking about the climax
of this.

470
00:45:52,040 --> 00:45:55,160
Alli inhan te raswan annaryo, rules
Piryogin Villa Angan Willi Kabhlipike, Rules

471
00:45:55,160 --> 00:45:58,760
Piryogin Villa Angan Willi Kabhlipike, Rules

472
00:45:58,760 --> 00:46:04,064
Piryogin willy kabhlipike,

473
00:46:31,500 --> 00:46:38,120
pratishikyatva virumbilyan
Virumbilyan. ... ... ... ...

474
00:46:38,120 --> 00:46:44,180
... ... ... ...

475
00:46:44,180 --> 00:46:45,780
...

476
00:46:47,800 --> 00:46:49,000
I think it was a post by Mithun Manuel
Thomas.

477
00:46:49,400 --> 00:46:51,880
I remember it. It was a post where Jithu
Sir was smiling.

478
00:46:53,460 --> 00:46:57,620
Underneath it was written, we think
criminals have a very cruel face.

479
00:46:58,160 --> 00:47:01,020
No, what is the face of a criminal
minded person?

480
00:47:01,840 --> 00:47:03,020
How is he smiling like this?

481
00:47:24,140 --> 00:47:26,580
Lalletta, there are so many criminals
here. You are sitting with a good face.

482
00:47:30,620 --> 00:47:36,360
We are all talking about Dhrishyam 3
with full confidence.

483
00:47:37,020 --> 00:47:41,800
We know how much people are expecting.
It is a big expectation.

484
00:47:51,220 --> 00:47:54,340
Thank you Laletta. Thank you.

485
00:47:54,920 --> 00:47:55,920
Thank you.